The biggest sin of The Cartel isn’t that it’s a bad game—it’s that it’s a forgettable one. The Wild West genre is defined by wide-open spaces, tension-filled standoffs, and a sense of lonely majesty. The Cartel offers congested highways, chain-link fences, and grey, grimy urban corridors.
Call of Juarez: The Cartel is the black sheep that no one in the family talks about at reunions. And for good reason. Sometimes, you can’t go home again—especially if someone bulldozed the saloon to build a parking lot.
So, is it worth playing today? Only as a museum piece. It’s a fascinating artifact of an era when publishers desperately wanted to chase Call of Duty ’s modern warfare success, even if it meant driving a beloved franchise off a cliff. Techland would later learn from their mistakes, finding massive success with Dying Light —a game that knew exactly what it wanted to be.
In a move that baffled fans and critics alike, developer Techland abandoned the 19th century for the 21st, swapping horses for SUVs and six-shooters for assault rifles. The result is one of the most infamous left-turns in gaming history. A decade and a half later, is Call of Juarez: The Cartel a misunderstood experiment or a deserved punchline?
