Suddenly, Woody is issued a real Condorman suit and gear, and is thrown into a chaotic mission across Europe. Pursued by the bumbling but dangerous Russian agent Krokov (Oliver Reed, clearly having a ball), Woody must use his wits, luck, and a lot of help from Harry to save Natalia and escape behind the Iron Curtain.

The film is often cited by filmmakers and designers (including director Matthew Vaughn for the Kingsman series) as an inspiration for its joyful, cartoonish approach to espionage.

The story follows Woody Wilkins (played by Michael Crawford), a mild-mannered and accident-prone American comic book artist living in Paris. His best friend, Harry (James Hampton), is a CIA agent. As a joke, Woody designs a flamboyant, bird-themed superhero named "Condorman"—complete with a sleek black costume, a custom sports car with retractable wings, and an array of impractical gadgets.

The special effects are a charming mix of practical stunts and pre-CGI optical work. While dated, the film's earnest commitment to its own ridiculous premise gives it an undeniable energy. The Condorman costume itself—a black spandex suit with a red cape and a giant, beaked helmet—is iconic in its oddness.

Condorman May 2026

Suddenly, Woody is issued a real Condorman suit and gear, and is thrown into a chaotic mission across Europe. Pursued by the bumbling but dangerous Russian agent Krokov (Oliver Reed, clearly having a ball), Woody must use his wits, luck, and a lot of help from Harry to save Natalia and escape behind the Iron Curtain.

The film is often cited by filmmakers and designers (including director Matthew Vaughn for the Kingsman series) as an inspiration for its joyful, cartoonish approach to espionage.

The story follows Woody Wilkins (played by Michael Crawford), a mild-mannered and accident-prone American comic book artist living in Paris. His best friend, Harry (James Hampton), is a CIA agent. As a joke, Woody designs a flamboyant, bird-themed superhero named "Condorman"—complete with a sleek black costume, a custom sports car with retractable wings, and an array of impractical gadgets.

The special effects are a charming mix of practical stunts and pre-CGI optical work. While dated, the film's earnest commitment to its own ridiculous premise gives it an undeniable energy. The Condorman costume itself—a black spandex suit with a red cape and a giant, beaked helmet—is iconic in its oddness.