Droo-cynthia-visits-the-spankers-drawings-gallery-153-23 (1000+ ORIGINAL)

The opening drawing, charcoal on stretched drumhead (dated 153–23–01), is deceptively delicate. It depicts Droo-Cynthia’s back from the shoulders to the knees. Her spine is a river. Her shoulder blades, twin islands. Across the landscape of her lower back, a hand has written the word "Because" in reverse—as if seen in a mirror.

The largest work in the show, "The Gallery Watches the Gallery" (153–23–17), is a panoramic mural done in sanguine and sepia. It depicts this very gallery. In the mural, a crowd of faceless patrons stands before a drawing of Droo-Cynthia. But inside that drawing, a smaller Droo-Cynthia stands before a mirror. And inside the mirror, a tiny Tocker points at the viewer. Droo-cynthia-visits-the-spankers-drawings-gallery-153-23

"Both."

— End feature —

She lowered the paper. Her eyes were the color of wet slate. "You mean the spankings? Or the visibility?" The opening drawing, charcoal on stretched drumhead (dated