Granlund Woodwind Repair
serial number list for Selmer (Paris) clarinets
Since its debut on YouTube and subsequent circulation across platforms such as Instagram Reels and TikTok, “Threads of Home” has amassed over two million views and sparked a vibrant conversation in the South Asian diaspora community. Comments range from personal testimonies of similar experiences to scholarly analyses that situate Bhattarai’s work within the broader canon of transnational media studies. Critics have praised her ability to balance authenticity with artistic flair, noting that the video avoids the pitfalls of exoticism while still celebrating cultural specificity. Educational institutions have begun to incorporate the piece into curricula on media representation, diaspora studies, and visual anthropology, indicating its value as a pedagogical tool. Importantly, the video has inspired a wave of user‑generated content—“#MyThreadStory” challenges encourage viewers to share their own family heirlooms, thereby extending the conversation beyond the screen and fostering a collective archive of lived experience.
Instead of a linear chronology, Bhattarai structures the video as a series of interlocking vignettes that mirror the fragmented way memory often surfaces. Each segment begins with a voice‑over excerpt from a personal diary entry, followed by a visual tableau that expands on the sentiment expressed. For instance, a passage recalling the scent of incense during a Navaratri celebration is paired with close‑ups of burning diyas and the rhythmic sway of women in traditional saris. This technique invites viewers to inhabit Bhattarai’s interior world, encouraging empathy through the shared human experience of nostalgia. Moreover, the inclusion of candid interviews with family members—her grandmother recounting stories of the Himalayan foothills, her father explaining why he migrated—provides a multigenerational perspective that underscores the continuity of cultural transmission. Khushi Bhattarai Video
Body Paragraph 1 – Thematic Exploration Since its debut on YouTube and subsequent circulation
| serial number | year of manufacture |
| no records | 1885 to 1926 |
#400 | 1/1/27 |
#3070 | 1/1/29 |
#9999 | 1/1/31 |
| L Series: | |
L1000 | 12/1/31 |
L2100 | 1932 |
L3250 | 1933 |
L4300 | 1934 |
L5500 | 1935 |
L6600 | 1936 |
L7750 | 1937 |
L8800 | 1938 |
L9900 | 1939 |
| M Series: | |
M1000 | 2/1/39 |
M2400 | 1940 |
| During the WWII years, manufacture was very sketchy, as are the records. The K series was produced then. | |
M3400 | 1944 |
M6000 | 1945 |
M8000 | 1946 |
| N Series: | |
N100 | 10/1/46 |
N1000 | 2/1/47 |
N2800 | 1948 |
N4900 | 1949 |
N6600 | 1950 |
N8100 | 1951 |
| P Series: | |
P1200 | 1952 |
P4200 | 1953 |
P7400 | 1954 |
| Q Series: | |
Q1100 | 1955 |
Q4350 | 1956 |
Q7290 | 1957 |
| R Series: | |
R1200 | 1958 |
R6100 | 1959 |
| S Series: | |
S1150 | 1960 |
S4160 | 1961 |
S7390 | 1962 |
| T Series: | |
T1400 | 1963 |
T5800 | 1964 |
| U Series: | |
U1100 | 1965 |
U5700 | 1966 |
| V Series: | |
V1000 | 1967 |
V4800 | 1968 |
V7900 | 1969 |
| W Series: | |
W1700 | 1970 |
W5900 | 1971 |
| X Series: | |
X1500 | 1972 |
X6400 | 1973 |
| Y Series: | |
Y1200 | 1974 |
Y6300 | 1975 |
| Z Series: | |
Z1100 | 1976 |
Z5200 | 1977 |
| A Series: | |
A1000 | 1978 |
| B Series: | 1980 & 1981 |
© scooco 1998-2022
updated 4/24/22