Rihanna - Anti -deluxe- -2016-album- Site

Absolutely. ANTI is the sound of the world’s biggest pop star burning down her own throne and walking away from the flames with a smirk. Rating: ★★★★½ (4.5/5) Best Tracks (Deluxe): “Kiss It Better,” “Needed Me,” “Desperado,” “Sex with Me” Skip if… you need clear hooks or upbeat dance jams. Listen if… you want to hear a legend get gloriously, recklessly weird. “I got to do things my own way, darling.” – And she did.

The Deluxe edition adds three additional tracks to the standard 13, but more importantly, it completes the album’s thesis: freedom is messy, and so is this record. Gone are the EDM bombasts of We Found Love and the glossy Caribbean-pop of Work . ANTI is a grimy, sample-heavy, genre-bending collage. Executive produced by Rihanna herself alongside Jeff Bhasker (Kanye, Bruno Mars), the album pulls from 70s soul (Tavares’ “It Only Takes a Minute” on “James Joint”), trip-hop (a haunting interpolation of Tame Impala’s “New Person, Same Old Mistakes” on “Same Ol’ Mistakes”), and gut-punch ballads. Rihanna - ANTI -Deluxe- -2016-Album-

– The unavoidable hit. A dancehall-inflected loop that feels hypnotic and slightly annoying (intentionally so). Drake’s patois is laughable, but Rihanna’s detached repetition of “work, work, work, work, work” becomes a mantra for exhausting love. On the Deluxe, it flows into… Absolutely

Artist: Rihanna Album: ANTI (Deluxe Edition) Released: January 28, 2016 Genre: Alternative R&B, Pop, Soul, Dancehall, Trip-Hop Label: Westbury Road / Roc Nation The Context: The Anti-Pop Star By 2016, Rihanna had nothing left to prove commercially. With eight consecutive #1 singles and a decade of relentless chart dominance, she could have easily released Unapologetic Part II . Instead, she made us wait. Three years after her last album, through false starts, scrapped sessions (including a rumored dance-pop opus), and a very public war with Kanye West over a sample, she delivered ANTI —a deliberately weird, unpredictable, and deeply personal left turn. Listen if… you want to hear a legend

– A Western-tinged escape fantasy. Sparse, menacing bass, and Rihanna playing the outlaw bride. “I need a desperado / I need a partner in crime.” This is the underrated gem of the album.

– A near-cover of Tame Impala’s six-minute psychedelic odyssey. Rihanna makes it her own by stripping the urgency and adding languid, auto-tuned regret. It’s a bizarre, brave closer for the standard album.

– Slow, psychedelic, and explicitly sexual. A cousin to The Weeknd’s Trilogy . She’s in total control, whispering threats and promises.