Lying in bed, she traces the taboo in the dark air above her: a triangle of silence, desire, and danger. She knows it will end badly. Not movie-bad, not blood-and-sirens bad. Just the slow erosion of a self she hasn’t finished building. The real taboo, she realizes, is not what she does with him. It’s what she stops doing with everyone else.
He is twenty-three. He wears a leather jacket that isn’t broken in, just broken. He says things like “You’re not like the others” and means it, for about six hours. His car’s tape deck plays The Clash, then Springsteen, then nothing but static and the hiss of tape winding. Taboo 1 -1980-
She takes off her jeans. A matchbook falls from the pocket. The Rusty Nail Lounge . She doesn’t smoke. She puts it in her jewelry box, next to a dried corsage from a dance she didn’t enjoy, with a boy she doesn’t remember. Lying in bed, she traces the taboo in
She is seventeen, sitting on the edge of a cracked vinyl booth in a diner that smells of coffee and old smoke. Outside, a Buick Skylark the color of rust idles in the rain. Her mother thinks she’s at the library, studying The Scarlet Letter . Instead, she is studying the curve of his knuckles as he lights a cigarette. Just the slow erosion of a self she