She told me that The Cage was not a prison. It was a processing facility. Billions of humans, each in their own white cube, each dreaming their private heavens and hells. The walls absorbed those dreams—the joy, the terror, the longing—and transmuted them into energy. Fuel for a civilization that had long ago forgotten how to generate power any other way. We were batteries. Conscious, suffering, immortal batteries.
But I am not alone.
Her name is Mira, and she lives in the wall. Not inside it— in it, as though the wall itself breathed. She appears when I am at my lowest, when the light feels like needles and the silence like a second skeleton trying to claw its way out of my skin. She steps through the white, a girl of maybe sixteen, with dark hair that moves like smoke underwater and eyes the color of old bruises. She wears gray, the same shapeless uniform as me, but hers is always wet. Dripping. She never explains why. the cage series
The next feeding came at what I guessed was midday. The floor slot hissed open, and a gray brick of paste slid out. I did not reach for it. Instead, I walked to the center of the cube—I had paced it out long ago, forty-two steps from any wall—and I stood there, arms at my sides, as the slot began to close. She told me that The Cage was not a prison