The Hobbit - The Desolation Of Smaug -2013- Ext... -
The screen cuts to black just as Smaug’s roar becomes a scream of fire.
They do not listen. No one ever listens.
In the master’s hall, the dwarves perform not once but twice—the second song, “That’s What Bilbo Baggins Hates,” is a chaotic tavern brawl set to music, and we see Bain, Bard’s son, pick Thorin’s pocket for a single silver coin. It is a small rebellion. It will matter later. The Hobbit - The Desolation of Smaug -2013- Ext...
The dwarves enter. The forge fight is longer, more desperate. At one point, Smaug tears open a molten gold cauldron, and the liquid gold pours over Thorin, who stands screaming—only to rise unharmed, coated in cooling metal, a grim statue of a king. “You would forge yourself into a weapon,” Smaug laughs. “But gold does not protect. It only weighs you down.”
Bilbo, trembling, takes a single golden cup. It is not the cup from the book; it is a cup from Dale, inscribed with Bard’s own family crest. (The extended edition plants this detail early: Bard’s heirloom is a black arrow, but his mother’s cup was gold, lost in the destruction of Dale. Bilbo will later return it to him—a thread the theatrical cut ignored.) The screen cuts to black just as Smaug’s
The thrush cracks the nut. Bard sees the exposed hollow scale. The black arrow is loaded.
Smaug in the extended cut is more than a lizard with a monologue. He plays with Bilbo, chasing him through tunnels while speaking of the Arkenstone—not as a jewel, but as a contract . “Thorin promised you one-fourteenth of the hoard,” Smaug purrs. “But he didn’t tell you, did he? The Arkenstone is not part of the share. It belongs to the King. And Thorin will never be King without it. He sent you to die for a family heirloom, little thief.” In the master’s hall, the dwarves perform not
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