Sur la QRG (voir code Q) comme on dit dans notre jargon. Des rendez vous en fréquence (SKED) sont programmés les lundis soirs sur notre réseau de relais transparents (en VHF / UHF) ou en HF (7 074 Mhz et 3 674Mhz) et constituent le moment privilégié pour échanger entre nous : nous l'appelons le QSO de section.
Télécharger la dernière version PDF du plan de fréquences
Final Grade: ★★★★☆ (4/5)
When the four stand together on the battlements at the end of Episode 10, battered, betrayed, but unbowed, they aren’t just heroes. They are a family. And in an age of gritty anti-heroes and grimdark fantasy, watching four men try so hard to be good—and frequently fail—is the most thrilling adventure of all. The Musketeers - Season 1
The season is not flawless. The episodic “case of the week” structure can feel clunky (Episode 5, “The Homecoming,” drags). The fight choreography, while brutal and balletic, occasionally relies too heavily on the “Corkscrew Parry” (a move where a hero spins to block three opponents at once—thrilling the first time, a gimmick the sixth). Furthermore, the show’s insistence on modern social commentary (slavery, religious persecution, PTSD) is noble but sometimes anachronistic; characters speak like 21st-century therapists rather than 17th-century soldiers. Final Grade: ★★★★☆ (4/5) When the four stand
Despite its flaws, Season One of The Musketeers achieves something rare. It reminds us that the story is not about the sword fights—it’s about the men holding the swords. It understands that loyalty is not a slogan but a daily choice to forgive your brothers for being human. The season is not flawless
No season of The Musketeers works without a great Richelieu, and Capaldi is sublime. He never twirls a mustache. Instead, he leans into the banality of political evil. His genius move is liking the Musketeers. In Episode 4, “The Good Soldier,” he tells them he respects their honor—right before trying to destroy them. Capaldi’s Richelieu believes he is the only adult in a room full of children, and that terrifying self-righteousness elevates every scene.
